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Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
SYNTHETISEUR
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ASIE
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
EGLISE - SACRE
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Non classifié
1450
PIANO & CLAVIERS
Piano seul
868
Piano Facile
613
Instruments en Do
446
Piano, Voix
278
Piano grosses notes
149
Orgue
146
Piano, Voix et Guitare
115
1 Piano, 4 mains
37
Accompagnement Piano
35
Piano Trio: piano, violon, violoncelle
12
Piano Quatuor: piano, violon, alto, violoncelle
10
Accordéon
7
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano (partie séparée)
4
Clavier
4
2 Pianos, 4 mains
1
Orgue, Piano (duo)
1
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GUITARES
Guitare notes et tablatures
92
Ligne De Mélodie, (Paroles) et Accords
86
Guitare
64
Ukulele
32
Mandoline
17
2 Guitares (duo)
15
Basse electrique
10
Guitare (partie séparée)
5
4 Guitares (Quatuor)
4
Banjo
3
Orchestre à Plectres
2
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
2
Paroles et Accords
2
Ensemble de guitares
2
3 Guitares (trio)
1
Guitare, Violon, Violoncelle (trio)
1
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VOIX
Chorale SATB
364
Chorale 2 parties
132
Chorale 3 parties
131
Chorale Unison
88
Chorale TTBB
46
Chorale SSAA
45
Voix duo
11
Voix duo, Piano
8
Voix seule
6
Voix haute
5
Voix Alto, Piano
5
Voix Tenor
2
Voix basse, Piano
2
Voix Soprano
2
Voix Soprano, Piano
2
Chorale
2
Voix, Guitare
1
Voix basse
1
Voix Baryton, Piano
1
Chorale SSATB
1
Chorale SSATTB
1
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
249
2 Clarinettes (duo)
138
2 Flûtes traversières (duo)
115
Flûte traversière et Piano
111
Saxophone (partie séparée)
102
Flûte traversière
99
Quatuor de Saxophones: 4 saxophones
92
Clarinette
92
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
83
Clarinette et Piano
81
Flûte, Hautbois, Clarinette, Basson
81
Clarinette, Violon (duo)
80
Hautbois, Piano (duo)
76
Flûte, Clarinette (duo)
68
Saxophone, Clarinette (duo)
64
2 Flûte à bec (duo)
62
Clarinette, Trompette (duo)
59
Saxophone Alto
56
Hautbois, Clarinette (duo)
56
Quatuor de Clarinettes: 4 clarinettes
54
Quintette de Saxophone: 5 saxophones
54
Hautbois, Basson (duo)
54
2 Hautbois (duo)
53
Saxophone Alto et Piano
52
3 Saxophones (trio)
48
Hautbois (partie séparée)
48
Flûte, Alto (duo)
44
Clarinette et Alto
42
Saxophone Tenor et Piano
37
Flûte, Violon
34
Flûte, Saxophone (duo)
30
Quatuor de Flûtes : 4 flûtes
26
Saxophone
25
Flûte, Trompette (duo)
24
3 Clarinettes (trio)
24
Clarinette, Basson (duo)
22
Flûte à bec Soprano
20
Flûte, Violoncelle
19
Hautbois
19
Trio de Flûtes: 3 flûtes
19
Hautbois, Flûte
18
Flûte, Hautbois (duo)
18
Hautbois, Violoncelle
16
Hautbois, violon (duo)
16
Cor anglais, Piano
15
Hautbois et alto (duo)
13
Ensemble de Flûtes
13
Ensemble de Clarinettes
13
Flûte, Clarinette et Basson
10
Flûte à bec Alto
10
Clarinette, Tuba
10
Saxophone Baryton, Piano
10
3 Flûtes à bec (trio)
10
Clarinette, Violoncelle (duo)
10
Saxophone Soprano et Piano
10
Flûte, Tuba (duo)
10
Flûte et Guitare
10
Quintette de Clarinettes: 5 clarinettes
9
Clarinette, Trombone (duo)
9
Saxophone Soprano
9
Quintette de Flûte : 5 flûtes
8
Quatuor de Flûtes à bec
8
Hautbois, trombone (duo)
8
Saxophone Baryton
8
Cor Anglais
8
Flûte, Hautbois, Clarinette (trio)
7
Clarinette, Guitare (duo)
7
Saxophone Tenor
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Trombone (duo)
6
Flûte à Bec
6
Flûte à bec Tenor
6
Flûte à bec Alto, Piano
5
Ensemble de saxophones
4
4 Hautbois
4
Saxophone et Guitare
4
Ensemble de Hautbois
4
Flûte à bec Soprano, Piano
3
Flûte et Trio à cordes
3
Hautbois, Guitare (duo)
2
Flute (partie séparée)
2
Cor anglais, Guitare (duo)
2
Clarinette Basse, Piano
2
Flûte, Hautbois, Basson
2
2 Saxophones, Piano
2
3 Hautbois
1
Piccolo, Piano
1
Ensemble De Flûte à bec
1
Flûte, Violon et Violoncelle
1
2 Clarinettes, Piano
1
2 Flûtes traversières, Piano
1
Hautbois, Harpe
1
2 Hautbois, 2 Cors et 2 Bassons
1
Cor anglais et Harpe (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte à Bec, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Basson et Piano
1
Clarinette, Harpe (duo)
1
Flûte irlandaise
1
Saxophone et Harpe
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Instrumentations suivantes
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CUIVRES
Trompette
89
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
2 Trompettes (duo)
67
2 Trombones (duo)
67
Trombone
64
Trompette, Piano
63
Cor et Piano
59
Cor
54
Trompette, Trombone (duo)
52
Trompette, Saxophone (duo)
49
Trombone et Piano
47
Tuba
46
Tuba et Piano
35
Quatuor de Cuivres
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
2 Cors (duo)
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Cor anglais, Piano
15
Trombone (partie séparée)
15
2 Tubas (duo)
15
Trompette (partie séparée)
15
Quatuor de cuivres: 4 trombones
13
Trompette, Tuba (duo)
11
Trombone, Violon (duo)
11
Trio de Cuivres
10
2 Euphoniums (duo)
10
Quatuor de cuivres: 4 cors
10
Trompette, Cor (duo)
10
Euphonium
9
Tuba et Orgue
9
4 Tubas
9
Euphonium, Piano (duo)
8
Cor Anglais
8
3 Trompettes (trio)
7
Trombone, Cor (duo)
7
Quatuor de cuivres: 4 trompettes
7
Ensemble de Cors
5
Cor, Tuba (duo)
5
3 Trombones (trio)
4
3 Tubas (trio)
4
Trombone, Tuba (duo)
4
Cor (partie séparée)
3
3 Cors (trio)
3
Tuba (partie séparée)
3
Trompette et Guitare
2
2 Euphoniums et 2 Tubas
2
Cor anglais, Guitare (duo)
2
Ensemble de Trompettes
2
Euphonium, Tuba (duo)
1
Cor et Harpe
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais et Harpe (duo)
1
Trompette, Harpe
1
Trombone basse et Piano
1
Ensemble de Trombones
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
206
Violon et Piano
142
Violon
113
2 Violons (duo)
107
Violon, Violoncelle (duo)
101
Violoncelle, Piano
86
Violon, Alto (duo)
85
2 Violoncelles (duo)
82
2 Altos (duo)
81
Alto, Piano
76
Violoncelle (partie séparée)
60
Harpe
53
Alto seul
48
Trio à Cordes: violon, alto, violoncelle
43
Quintette à cordes: 2 violons, alto, violoncelle, basse
40
Contre Basse
39
Contrebasse, Piano (duo)
35
Violoncelle
31
Alto (partie séparée)
19
Trio à Cordes: 3 violoncelles
15
Violon, Basson (duo)
14
Trio à Cordes: 2 violons, violoncelle
14
Alto, Violoncelle (duo)
13
Violon, Tuba (duo)
12
2 Contrebasses (duo)
11
Violon, Guitare (duo)
10
Trio à cordes: 3 violins
9
Trio à cordes: 3 altos
8
Quatuor à cordes: 4 violons
7
2 Harpes (duo)
6
Violon (partie séparée)
6
Harpe, Flûte (duo)
6
Piano Trio: Violon, Alto, Piano
6
4 Violoncelles
6
Quatuor à cordes : 4 altos
5
Contrebasse (partie séparée)
4
Violoncelle, Contrebasse (duo)
4
Violoncelle , Guitare (duo)
2
Alto et Harpe
2
Harpe, Violon (duo)
2
Violoncelle, Basse continue
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto, Guitare (duo)
1
4 Contrebasses
1
2 Violoncelles, Piano
1
2 Altos, Piano
1
Alto et Basson
1
Autoharp
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
163
Orchestre à Cordes
77
Ensemble de cuivres
51
Cloches
50
Orchestre
46
Batterie
24
Ensemble Jazz
22
Ensemble de Percussions
19
Marimba
13
Orchestre de chambre
10
Xylophone
7
Ensemble d'École
5
Batterie (partie séparée)
5
Jazz combo
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Xylophone, Piano
3
Fanfare
3
Piano et Orchestre
2
Vibraphone
2
Percussion
1
Percussion (partie séparée)
1
3 Marimbas
1
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AUTRES
Vous avez sélectionné:
Simple Man
Orchestre de chambre
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CAROLS OF THE MANGER (Chamber Orchestra Accompaniment for Octavo)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.973002 Arranged by Greg Enge…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.973002 Arranged by Greg Engell. Christian,Christmas,Sacred. Score and parts. 54 pages. Greg Engell #4363087. Published by Greg Engell (A0.973002). Celebrate the Christmas Season with this arrangement for Choir and optional Chamber Ensemble. Simple, yet elegant, this piece opens tenderly with the carol Infant Holy, Infant Lowly and gradually builds to a climax as it combines the melodies of Silent Night and Away in a Manger together. A perfect addition to your Christmas service or presentation.Chamber Orchestration for the Octavo Carols of the Manger. 2 Flutes, Oboe, 2 Clarinets, Horn, Strings, Percussion, (opt) Harp.
$25.00
23.05 €
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Orchestre de chambre
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Greg Engell
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CAROLS OF THE MANGER
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Greg Engell
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.63 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
In the Language of Meditation - Solo with Chamber Orchestra - PARTS
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.787359 Composed by Greg Bart…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.787359 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 77 pages. Burke & Bagley #3484367. Published by Burke & Bagley (A0.787359). In the Language of Mediation was composed in 2013 for viola & piano in memory of Ingrid Buschmann (1954 - 2013). For this arrangement for chamber orchestra the solo may be played on viola, clarinet or alto saxophone. The work takes on a simple, heartfelt aesthetic, reflecting Buschmann's brand of gentle kindness and her love of the natural world with singing clarinet lines and sparkling piano textures. - Andrew FriedmanIn three movements: 1. Observations from a Rooftop Garden (ca. 5'15)2. Contemplating a Mountain with Love (ca. 5')3. Reflecting on a Visit with Birds (ca. 3'30)This is a set of parts only. The score is available separately here: https://www.sheetmusicplus.com/title/20717179?aff_id=481336. Video: https://youtu.be/SEeWuBhO6vw?list=PLC467B58A453D766A .
$49.99
46.1 €
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Orchestre de chambre
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Greg Bartholomew
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In the Language of Meditation - Solo with Chamber Orchestra - PARTS
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Burke & Bagley
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SheetMusicPlus
Fantasy for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
36.84 €
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Orchestre de chambre
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Coventry Carol
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1295185 Composed by English …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1295185 Composed by English Carol. Arranged by Thomas Quigley. Christian,Christmas. Score and Parts. 43 pages. Thomas Quigley #885503. Published by Thomas Quigley (A0.1295185). If you are a music teacher in search of a highly musical carol arrangement, with well-designed, manageable parts, this is an exquisite choice. Perfect for demonstrating the expressive qualities of your ensemble and rewarding to perform, the arrangement is a treat for your audience. From the sparse, quiet, subdued opening to the lush final section it is carefully devised to achieve maximum effect with simple means. As a Christmas concert piece, it is reflective, subtle and warm, providing perhaps a fine contrast within your programme.
$59.00
54.41 €
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Orchestre de chambre
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English Carol
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Thomas Quigley
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Coventry Carol
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Thomas Quigley
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SheetMusicPlus
Appassionato
Orchestre de chambre
Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nos…
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Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagine Music - Digital (IZ.OMS128). 9 x 12 in inches.For Chamber Orchestra (Grade 3). By Peter Nostrand. Appassionato is a story about the struggle for love. While it was composed in a traditional ABA structure, there are many elements in this composition which are not at all traditional. As the piece awakens, the oboes and flutes seem innocent and coquettish. As orchestral participation grows, one has the sense of an entire field of rich colors growing before our very ears. Enter the piano. Simple, elegant and romantic. Softly supported by the strings, the piano issues an invitation to the winds. They respond cautiously, obviously curious to see what this charming piano has in mind. The strings express an opinion. It's not what the piano wants and he presses harder. The strings and winds question each other, back and forth with triplets. Who is this piano? The mid-section is an announcement by the strings that a love relationship may be in the cards. The piano replies with passion and tenderness.With eighth notes, the strings become entangled with the piano, counseling it, guiding it. The winds using triplets put their two cents on the table. They're not so sure. The piano makes a passionate plea; the strings are supportive. The piano and the winds have a conversation. They finally dance together. In the end,.Appassionato is a musical expression of the struggle over whether or not love is worth the risk Sometimes in conflict sometimes in harmony, the piano and winds do unite. Passion has won.
$30.00
27.67 €
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Orchestre de chambre
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Peter Nostrand
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Peter Nostrand
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the strings are supportive
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Appassionato
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Imagine Music - Digital
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SheetMusicPlus
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869311 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32293. Published by Thomas Oboe Lee (A0.869311). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
9.21 €
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Orchestre de chambre
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869299 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32649. Published by Thomas Oboe Lee (A0.869299). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
9.21 €
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Orchestre de chambre
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
A Dream Is A Wish Your Heart Makes
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1210954 By Linda Ronstadt. B…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1210954 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Bryson Merkley. Broadway,Film/TV,Musical/Show. Score and Parts. 17 pages. Voices of the Valley #808645. Published by Voices of the Valley (A0.1210954). A lovely rendition of the timeless classic from Disney's Cinderella. With a simple, placid orchestration, this piece highlights the beauty of the piece, and is accessible to a wide range of ensembles.
$49.99
46.1 €
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Orchestre de chambre
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Linda Ronstadt
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Bryson Merkley
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A Dream Is A Wish Your Heart Makes
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Voices of the Valley
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SheetMusicPlus
Ave Maria
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.719581 Composed by J. S. Bac…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.719581 Composed by J. S. Bach / Charles Gounod. Arranged by Curtis Hanson. Baroque,Romantic Period. Score and parts. 16 pages. Curtis Hanson #2973. Published by Curtis Hanson (A0.719581). A setting for string quartet (or ensemble) and keyboard (harpsichord) of the classic arrangement by Charles Gounod of the J. S. Bach prelude. Melody is in the 1st violin. The lower violin parts provide simple chordal support. This would be a wonderful piece for a beginning chamber ensemble. Contains full score and set of parts.
$15.00
13.83 €
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Orchestre de chambre
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J
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Curtis Hanson
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Ave Maria
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Curtis Hanson
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SheetMusicPlus
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